
On 2 December 2009 at The Brain Observatory (University of California). Dr. Jacopo Annese dissected the brain of H.M (who had died two years earlier), streamed live on the internet to a global audience of over 400,000 people, including Analogue’s co-Artistic Director Liam Jarvis, who was fascinated by this story. Henry’s brain now exists in 2401 seventy-micron-thin slices; manuscripts of tissue like the pages of a book. These slices now tell the story of a man who could no longer remember but who has proved impossible to forget, and are gradually changing the way we understand memory forever.
Inspired by this incredible true-life story, Analogue created 2401 Objects, a new mixed media theatre show that tells the story of a man permanently trapped in the present, with no memory of his immediate past. Our version of Henry’s story explores the impact on those loved ones around him, intercutting from his strained pre-operation family life and the relationship-that-never-was with the girl next door, to post-operation Henry, many years on, living in the care home where he spent his final days, looked after by nurses who he could never remember from day to day. Intercutting with Henry’s story is a strand of biographical storytelling featuring Dr Jacopo Annese from The Brain Observatory San Diego – the world’s leading expert on this case study.

The formal and visual world of the production – a major part of all of Analogue’s work – was inspired by the motion and imagery of a guillotine slicing and a scanner scanning. Our set comprised of a large screen we termed the ‘macro-tome’ – a play on the microtome equipment used to dissect HM’s brain in 2009 – which allowed us to formally stage the language of memory loss, as if the set was itself slicing through Henry’s history, revealing live memories played out as scenes, before swallowing them up into the dark, lost forever.

would love an image or two of the Microtome used in the production! If you have any, please send to mvh218@gmail.com (for use in a class in which we read the play)
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